| LAFFOLEY
ARCHIVE: Sectional Enlargements of "I, Robur" (1969) |
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| CURRENT
LISTING: Early painting from 1967-68 with all of the core futurist
& transhumanist concepts seen in laffoley's later work. |
Examination
of an Early Work
Many of Laffoley's enduring concepts are prophetically incorporated
into his earliest works. This one is from the late 1960s and has
all the usual themes - mega and nano engineering, physically alive
architecture, energy devices, genetic engineering, transdisciplinary
convergence, the UFO geometry, klein bottles and the Bauharoque
/ Utopic themes.
The painting is an homage to Paul's favorite sci-fi film, 'The
Day the Earth Stood Still', which was based on 'Master of the
World' published in 1904, one of the last novels by French pioneer
science fiction writer, Jules Verne. This is combined with Paul's
first description of what they now call a 'space elevator' except
extending all the way to the moon, and connecting the Earth to
the Moon with a double-layer orbital geodesic-sphere around each
planet.
The Tube would be one step beyond conventional space elevator
concepts - made of carbon nanofibers initially, but progressively
replaced with transgenic biomechanical living tissue that would
be almost instantly self-repairing. The inertial motion of the
spinning planets can used to passively generate electrical energy,
stored & distributed to feed all the world's energy needs,
Laffoley has described it as being like a spherical waterfall
of electricity. The orbital dome & tube to the moon could
be used to transport anything of any size to anywhere on earth
or the moon in a matter of hours Paul explains it better in the
'thoughtform' that accompanies this painting.
~miqel
• I, Robur, Master of the World - 1968 - Oil, Acrylic,
Lettering on Canvas - 73 1/2 x 73 1/2 in.
Subject:
Redesigning Part of the Solar System
Symbol Evocation: The Natural Link between the
Earth and the Moon
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•
Detail Zoom Images - Click Pics For LARGE IMAGES - jpeg, average
200k
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Laffoley's
Comments:
"As we approach the Twenty-First Century, problems of managing
the world seem to be emerging faster than we are able to solve them.
Driven close to despair and distraction, architects and designers
of the environment in general have become either bricoleurs, frantically
trying to patch our reality as it comes apart at the seams, or prophets
of doom traumatized by their own foreboding.
As in all problem solving, the solution lies first in determining
the next highest context of the elements involved, and second in
assessing the new possibilities that then appear. In the case of
the earth, the next design context is the solar system, specifically
our nearest neighbor both physically and mythologically-- the moon.
Therefore, I propose an earth-moon link-up through open space to
form a simple, but gigantic motor. It would consist of double-layered
geodesic spheres that rotate one within the other about ten miles
off the surface of the earth and the moon. These friction machines
could be constructed of a transparent living plastic and would be
linked through space by a tube of the same material. The choice
of a living material would mean that repairs would be self-generated
and instantaneous. The orbit of the moon would drive the motor and
provide all the energy ever needed.
The sphere itself could support an atomic train, able to stop at
any point above the earth's surface and lower shipments; thus the
time needed to distribute goods and services would be minimized.
Filtering systems could be installed in the sphere to both clean
the air and reclaim lost minerals, or even to add nutrients to the
atmosphere.Next all vegetation around the world would be united
into one giant plant, made to grow through the link tube and finally
around the moon so that a natural human-sustaining atmosphere would
develop there. All buildings and instrumentality would be physically
alive. Violent or explosive actions and effects, like atomic energy,
would be time delayed and slowed to the rate of human observation.
Finally would come the building of a flying saucer city- a new acropolis,
the Urban Fossickated Octave. It would be a physically transformative
environment circulating the earth and would take those on board
those who wished to transit from the exoteric realm of knowledge
to the mesoteric and through to the esoteric realm."
- Paul Laffoley |
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LaffoleyArchive.com ™(Thought
Mark) 2007-2013-2063-2099 - Michael Coleman (MIQEL.COM)
All Art, Quoted Text and Images are © Paul Laffoley
Please don't republish these images or essays in print form for
commercial uses,
yet please spread these advanced concepts and futuristic ideas
far and wide!
Mr.
Laffoley is represented by KENT
Gallery, NYC. Refer to Douglas
Walla for image-use arrangements and purchase of original
works
They will be publishing the Laffoley "Catalogue Raisonne"
of complete works and extended commentary by Paul in 2008-2009 |
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