LAFFOLEY ARCHIVE: Sectional Enlargements of "I, Robur" (1969)
CURRENT LISTING: Early painting from 1967-68 with all of the core futurist & transhumanist concepts seen in laffoley's later work.

Examination of an Early Work
time distortion - gyroscopic singularity Many of Laffoley's enduring concepts are prophetically incorporated into his earliest works. This one is from the late 1960s and has all the usual themes - mega and nano engineering, physically alive architecture, energy devices, genetic engineering, transdisciplinary convergence, the UFO geometry, klein bottles and the Bauharoque / Utopic themes.

The painting is an homage to Paul's favorite sci-fi film, 'The Day the Earth Stood Still', which was based on 'Master of the World' published in 1904, one of the last novels by French pioneer science fiction writer, Jules Verne. This is combined with Paul's first description of what they now call a 'space elevator' except extending all the way to the moon, and connecting the Earth to the Moon with a double-layer orbital geodesic-sphere around each planet.

The Tube would be one step beyond conventional space elevator concepts - made of carbon nanofibers initially, but progressively replaced with transgenic biomechanical living tissue that would be almost instantly self-repairing. The inertial motion of the spinning planets can used to passively generate electrical energy, stored & distributed to feed all the world's energy needs, Laffoley has described it as being like a spherical waterfall of electricity. The orbital dome & tube to the moon could be used to transport anything of any size to anywhere on earth or the moon in a matter of hours Paul explains it better in the 'thoughtform' that accompanies this painting.
~miqel

• I, Robur, Master of the World - 1968 - Oil, Acrylic, Lettering on Canvas - 73 1/2 x 73 1/2 in.


Subject: Redesigning Part of the Solar System
Symbol Evocation: The Natural Link between the Earth and the Moon


• Detail Zoom Images - Click Pics For LARGE IMAGES - jpeg, average 200k
time distortion - gyroscopic singularity
Moon: Geodesic Shells & Living Tunnel
- 1500 x 910
time distortion - gyroscopic singularity
Top half - 1348 x 868
time distortion - gyroscopic singularity
Earth: Geodesic Shells & Living Tunnel
- 1500 x 910

time distortion - gyroscopic singularity
Full Painting - 1500 x 1515


The United Transformation Of People In Action
1700 x 477

Left: Living-tissue Moon Link - 900 x 1408


Right: Self-contained Worlds - 900 x 1408


Left:
Living Structures - 900 x 1408

Right: Urban Fossickated Octave &
View Inside 2012 Ufo / Timeship
- 900 x 1408

" the crew is selected by the desire to be in it
"






HOMAGE TO: 700 x 112


Laffoley's Comments:
"As we approach the Twenty-First Century, problems of managing the world seem to be emerging faster than we are able to solve them. Driven close to despair and distraction, architects and designers of the environment in general have become either bricoleurs, frantically trying to patch our reality as it comes apart at the seams, or prophets of doom traumatized by their own foreboding.

As in all problem solving, the solution lies first in determining the next highest context of the elements involved, and second in assessing the new possibilities that then appear. In the case of the earth, the next design context is the solar system, specifically our nearest neighbor both physically and mythologically-- the moon.

Therefore, I propose an earth-moon link-up through open space to form a simple, but gigantic motor. It would consist of double-layered geodesic spheres that rotate one within the other about ten miles off the surface of the earth and the moon. These friction machines could be constructed of a transparent living plastic and would be linked through space by a tube of the same material. The choice of a living material would mean that repairs would be self-generated and instantaneous. The orbit of the moon would drive the motor and provide all the energy ever needed.

The sphere itself could support an atomic train, able to stop at any point above the earth's surface and lower shipments; thus the time needed to distribute goods and services would be minimized. Filtering systems could be installed in the sphere to both clean the air and reclaim lost minerals, or even to add nutrients to the atmosphere.Next all vegetation around the world would be united into one giant plant, made to grow through the link tube and finally around the moon so that a natural human-sustaining atmosphere would develop there. All buildings and instrumentality would be physically alive. Violent or explosive actions and effects, like atomic energy, would be time delayed and slowed to the rate of human observation.

Finally would come the building of a flying saucer city- a new acropolis, the Urban Fossickated Octave. It would be a physically transformative environment circulating the earth and would take those on board those who wished to transit from the exoteric realm of knowledge to the mesoteric and through to the esoteric realm."
- Paul Laffoley
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(Thought Mark) 2007-2013-2063-2099 - Michael Coleman (MIQEL.COM)
All Art, Quoted Text and Images are © Paul Laffoley
Please don't republish these images or essays in print form for commercial uses,
yet please spread these advanced concepts and futuristic ideas far and wide!

Mr. Laffoley is represented by KENT Gallery, NYC. Refer to Douglas Walla for image-use arrangements and purchase of original works
They will be publishing the Laffoley "Catalogue Raisonne" of complete works and extended commentary by Paul in 2008-2009
Purchase Paul Laffoley Prints